What’s with the Name? What Is a Literary Aside?
An aside is a tool incorporated by the expert dramatists craftsmen to give the audience insight into something through a character’s dialogue. The thing with the aside is that even though the dialogue is spoken, it’s only “heard” by the audience, but not by other characters in the play. From what characters other than the speaker are concerned, the aside never happened.
Or, if you’d prefer, an aside is, well, to put it blatantly, a fourth wall break. It’s much like what everyone’s favorite Marvel anti-hero Deadpool does all the time.
The reason why I chose this particular name is that I’ll try to cover literature as is, in its unmodified uniqueness and glory. But, I’ll provide my opinions, thoughts, and other insight as kind of an aside.
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Jan Kott is a unique critic of Shakespeare. His hard life has made him like a contemporary of the Bard. His views on Shakespeare are exceptional, as he interprets the bard’s works as if he was in The Globe watching Shakespeare act the Ghost of Hamlet’s Father.
In Shakespeare: The Invention of the Human, Harold Bloom gives the argument that Shakespeare invented humans attributes we think are our own.
Borges’ essay “Everything and Nothing” is an attempt to show what Shakespeare was as a human being from what little is known about his life.
G.W. Knight’s works deal with different interpretations of the mythical in literature. The Wheel of Fire tackles the mythical in Shakespeare. King Lear is a great example of a microcosm that has a whole mythical backdrop embedded in it.
D. H. Lawrence’s Twilight in Italy is a small book of essays in literary criticism, including his views on Shakespeare’s Hamlet.
H. P. Lovecraft, the undeniable father of cosmic horror’s story. Despite being one of the most influential writers of the 20th century, his life was a very sad one.